南海Ⅰ号 第二季
Some ships arrive at ports, while others sink to the seabed and arrive again in history hundreds of years later. Nanhai No. 1 Season 2 tells precisely of the latter kind of arrival. This Song-dynasty merchant ship, sunk deep in the South China Sea, did not complete its journey at the time, yet it preserved within seawater and sediment a s.
Some ships arrive at ports, while others sink to the seabed and arrive again in history hundreds of years later. Nanhai No. 1 Season 2 tells precisely of the latter kind of arrival. This Song-dynasty merchant ship, sunk deep in the South China Sea, did not complete its journey at the time, yet it preserved within seawater and sediment a s.
Watching Nanhai No. 1 Season 2 today is not only about understanding a sunken ship. More importantly, it helps us understand the maritime dimension of Chinese civilisation. China has not only farming civilisation, the Yellow River, and the Yangtze River, but also ports, ships, sea routes, and sea winds facing the world.
有些船抵达了港口，有些船沉入了海底，却在数百年后重新抵达历史。《南海Ⅰ号 第二季》讲的，正是后一种抵达。这艘沉没在南海深处的宋代商船，没有完成它当年的航程，却把一段关于海上贸易、器物流动、日常生活和文明交往的故事，完整地封存在海水与泥沙之中。《南海Ⅰ号》最动人的地方，不只是它是一艘古船，也不只是它出土了数量惊人的文物。真正重要的是，它让我们看见，海上丝绸之路。
Some ships arrive at ports, while others sink to the seabed and arrive again in history hundreds of years later. Nanhai No. 1 Season 2 tells precisely of the latter kind of arrival. This Song-dynasty merchant ship, sunk deep in the South China Sea, did not complete its journey at the time, yet it preserved within seawater and sediment a s.
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Some porcelains belong to courts, others to scholars’ desks, while Cizhou ware seems to belong more to everyday life. What moves us most in Cizhou Kiln is that it does not film porcelain as a treasure placed high above people, but returns it to ordinary life. Bowls, jars, pillows, vases, plates, patterns between black and white, and vital.
Some places are remembered by history because great events once happened there; others are remembered because they quietly nurtured a culture. A Thousand Years of Huizhou speaks of the latter kind of place. Huizhou lies among mountains and waters. It may seem far from the storms of the Central Plains, yet over long centuries it accumulate.
Some cities are remembered for mountains and rivers, some for history, while Jingdezhen is remembered through kiln fire. Its name is tightly bound to porcelain, like an identity fired by time. When people speak of Jingdezhen, they think of blue-and-white porcelain, glaze, porcelain bodies, imperial kilns, and craftsmen; they also think of.
Jacquard weaving, pleating, gold-thread patterning and refined finishing
Eastern Atelier
Hand shaping, surface carving, warm lighting and crystal accents
Eastern Atelier
Hand carving, polishing and preservation of natural grain
Eastern Atelier
Hand carving, openwork carving, color carving and metal setting
Eastern Atelier
Filigree, cloisonne lines, enamel details, gilded polish and hand finishing
Eastern Atelier
Hand shaping, surface finishing, dimensional texture and display base
Eastern Atelier
Forbidden City
Rivers and Coasts
Kiln Sites
Archaeological Sites