花开中国（第二季）
Some documentaries film flowers in order to record natural beauty; others film flowers in order to enter the spiritual world of a people. Flowers Blooming in China Season 2 clearly belongs to the latter. It does not treat flowers merely as colours and forms before the camera, but slowly unfolds a cultural scroll of life, aesthetics, seaso.
Some documentaries film flowers in order to record natural beauty; others film flowers in order to enter the spiritual world of a people. Flowers Blooming in China Season 2 clearly belongs to the latter. It does not treat flowers merely as colours and forms before the camera, but slowly unfolds a cultural scroll of life, aesthetics, seaso.
Watching Flowers Blooming in China Season 2 today is not only about learning about flowers, nor only about appreciating beautiful images. It helps us understand again a gentle and enduring cultural ability: how people gain feeling from nature, how they turn plants into poetry, and how they place their emotions, ideals.
有些纪录片拍花，是为了记录自然的美；有些纪录片拍花，是为了进入一个民族的精神世界。《花开中国（第二季）》显然属于后者。它没有把花卉只当作镜头前的颜色和形态，而是从梅、兰、桂、荷、玉兰、水仙、芍药、百合这些中国人熟悉的花中，慢慢展开一部关于生命、审美、节令和人格的文化长卷。花在中国文化中，从来不是单纯的植物。它们生长在山野、庭院、池塘和案头，也生长在诗词、绘画。
Some documentaries film flowers in order to record natural beauty; others film flowers in order to enter the spiritual world of a people. Flowers Blooming in China Season 2 clearly belongs to the latter. It does not treat flowers merely as colours and forms before the camera, but slowly unfolds a cultural scroll of life, aesthetics, seaso.
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Some documentaries speak of ecology in order to display the magnificence of nature; others speak of ecology in order to help us understand relationships among lives again. The Tree of Life belongs to the latter. It enters Sanjiangyuan and places its camera among river sources, plateau creatures, snow leopard valleys, salt lakes and wetlan.
Some documentaries take us to distant places. Others ask us to understand the land beneath our feet again. Asking the Mountains belongs to the latter. It turns its camera toward the mountains on the northern and southern sides of Lhasa, Tibet. These mountains were once barren, dry, and short of green. When the wind passed over the slopes.
Some documentaries speak of women in order to speak of suffering; others speak of women in order to show how they become themselves again. In Her Own Land belongs to the latter. It does not simplify women’s experience into a single label, nor does it write “her” life as a fixed answer. It gives the camera to women of different ages, profe.
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