在“她”乡
Some documentaries speak of women in order to speak of suffering; others speak of women in order to show how they become themselves again. In Her Own Land belongs to the latter. It does not simplify women’s experience into a single label, nor does it write “her” life as a fixed answer. It gives the camera to women of different ages, profe.
Some documentaries speak of women in order to speak of suffering; others speak of women in order to show how they become themselves again. In Her Own Land belongs to the latter. It does not simplify women’s experience into a single label, nor does it write “her” life as a fixed answer. It gives the camera to women of different ages, profe.
In Her Own Land ultimately allows us to see that women’s growth does not necessarily unfold in a straight line. Some set out when young, while others begin again after middle age; some break through in their professions, while others write within daily life; some travel outward, while others search inward. Along differ.
有些纪录片讲女性，是为了讲苦难；有些纪录片讲女性，是为了讲她们如何重新成为自己。《在“她”乡》属于后者。它没有把女性经验简化成单一的标签，也没有把“她”的人生写成固定的答案。它把镜头交给不同年龄、不同职业、不同处境中的女性，让观众看见：所谓“她乡”，不只是一个地理上的远方，也是一片由女性自己开出来的人生疆域。这部纪录片最动人的地方，是它没有把女性拍成等待被理。
Some documentaries speak of women in order to speak of suffering; others speak of women in order to show how they become themselves again. In Her Own Land belongs to the latter. It does not simplify women’s experience into a single label, nor does it write “her” life as a fixed answer. It gives the camera to women of different ages, profe.
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Some documentaries film flowers in order to record natural beauty; others film flowers in order to enter the spiritual world of a people. Flowers Blooming in China Season 2 clearly belongs to the latter. It does not treat flowers merely as colours and forms before the camera, but slowly unfolds a cultural scroll of life, aesthetics, seaso.
Some documentaries speak of ecology in order to display the magnificence of nature; others speak of ecology in order to help us understand relationships among lives again. The Tree of Life belongs to the latter. It enters Sanjiangyuan and places its camera among river sources, plateau creatures, snow leopard valleys, salt lakes and wetlan.
Some documentaries take us to distant places. Others ask us to understand the land beneath our feet again. Asking the Mountains belongs to the latter. It turns its camera toward the mountains on the northern and southern sides of Lhasa, Tibet. These mountains were once barren, dry, and short of green. When the wind passed over the slopes.
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